Welcome to Leg Kick TKO, a MMA blog
that’s a worse judge of fights than Cecil Peoples.
Fighter Retrospectives is when I take a look back at retired
fighters (Or at least a guy that’s been fighting at least 15 years) and try to
convince you why they are super-duper awesome.
Today, the focus is on the Transforming Trickster, the Neo-Samurai, Genki
Sudo.
Wull, why should I care about this guy? (That’s you)
Genki Sudo is probably my favorite fighter that I never saw
live, and sometimes he’s my favorite fighter, period, with no
qualifications. He was predominantly a
grappler, having done Greco-Roman wrestling in high school, and then later
taking up Brazilian jiu-jitsu. His
striking wasn’t awful, and he even fought in some K-1 kickboxing bouts (to
extremely limited success, going 2-4), but his hugging prowess easily overshadows
his kickpuncher skills. What really
draws me to Sudo is his ability to mix showmanship with skill. He had ridiculous entrances that not only
blew most other fighter entrances out of the water (Pretty easy, since other
than like five dudes all walk-outs are boring and bland), but were way better
than a lot of professional wrestling entrances, too. The antics didn’t stop inside the ropes (Or,
for like three fights, the cage), though.
Genki would dance around during a fight, dropping his hands to do the
robot, turn his back on his opponent, and basically refuse to take things
seriously. He claimed it was never to
embarrass or make fun of his opponent, but his attempts at elevating the fight
to a true art form. His overarching
message is We Are All One, a concept he enforced by carrying a banner with that
phrase and various flags of the world stitched onto it.
Okay, wull, lemme see some of these “awesome entrances” I
guess. (You, again)
A Genki Sudo entrance is a great thing to behold because it
always involves costumes, backup dancers, rad, choreographed moves, and usually
the dramatic removal of the aforementioned costume.
He’s walked out to the fight as, among other
things, several different space robots, a Chinese drunken boxer, some sort of aboriginal person,
and Rick “Wild Thing” Vaughn.
Check out more Genki Sudo radness after the jump.
I guess some of those were pretty snazzy, but how good was
he in a fight? Like, probably just kinda
“meh”, huh? (You’re kind of a jerk, you know that?)
I’ve already written about one of Sudo’s fights, and that ended with a giant swing transitioned into an
Achilles’ lock.
His other bouts might
not have such dramatic and crazy-insane endings, but they do feature a lot of
cool grappling, erratic dancing, and plenty of spinning back fists. The latter two items were prevalent because
of the first, since Genki had no fear of being taken down because he could
pretty much grapple his way out of any bad situation.
He was an amazing fighter that has done some impressive
things, like submitting the enormous Eric “Butterbean” Esch, despite a 250
pound weight disadvantage (Though Sudo probably had a much bigger advantage in
terms of skill and MMA experience) because Japan loves freaks show fights with
a passion. Overall, Sudo amassed a
16-3-1 record, only being stopped once by a very questionable technical
knockout to former supreme radman, Norifumi “Kid” Yamomoto. Sudo inexplicably retired in 2006, at just
28, claiming he was going to focus on transitioning into the Fourth Dimension.
WAT (Yeah, I know, kind of strange, but Sudo is a uniquely
weird cat)
Sudo’s post-fight career and activities are just as
interesting as his fight life. After
retiring, Sudo kept very busy. He’s
managed an over-30 baseball team, acted in a Kamen Rider series or two (As somekind of gay hug-man, I think?), tried to transition to the Fourth Dimension
(Though he’s said reliance upon the material world has kept him tied to the 3.5th
Dimension at best, for now at least), directed and starred in a segment of a movie called The R246 Story (His segment is about UFOs), and also has built up a music career.
Music, huh? So, what,
he’s some kinda tunesmith or somethin'? (Hey, you’re right for once!)
Genki Sudo is the writer, composer, choreographer, lead
dancer and sole singer of the group World Order. Despite the fact that I do not understand any
Japanese (Though this is helpful), I find World Order’s videos fascinating, mostly due to the intricate
choreography present in each one.
It’s mostly weird unison dancing and movements, and I’m compelled to watch each video over and over.
What can we learn from Genki Sudo?
It’s mostly weird unison dancing and movements, and I’m compelled to watch each video over and over.
What can we learn from Genki Sudo?
- Flying triangles are rad
- Spinning backfists are also rad
- Mid-fight dance breaks are another rad thing
- WE ARE ALL ONE
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